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Florence Pugh says she is 'empowered' by her film with Andrew Garfield


Florence Pugh and Andrew Garfield

Marleen Moïse/Getty Photographs

Florence Pugh has reflected on how rewarding the experience of creating his new film was We live in time next to andres garfield.

Pugh, 28, took to social media on Sunday, October 20, to praise several elements of the making of the film, which centers on a love story that takes a tragic turn, including her on-screen efforts with Garfield, 41 years.

“Thank you Andres. “I will always be empowered by what we created together and by the artist you made me want to be every day,” Pugh wrote in an Instagram post detailing his fondness for the film. He also detailed how rare the opportunity to play Almut, one of the film's two leads, was.

“I've been desperate for a role like this for a few years now. A precise and relatable woman who cuts through all the conversations modern women have every day,” Pugh wrote. “Performing Nick Paynes script in John CrowleyThe units have to be one of the highlights of my career.”

Promo Andrew Garfield and Florence Pugh Never Heard the Cut While Filming a Sex Scene

Related: Andrew Garfield Recalls Missed 'Cut' During Florence Pugh Sex Scene

Andrew Garfield and Florence Pugh were so committed to making a good movie that they never heard a director say “cut” while filming a sex scene. During the Friday, Oct. 5 taping of the “Comfortable Unhappy Confused” podcast, Garfield, 41, talked about filming a steamy scene for We Stay in Time, which premieres Oct. 11. […]

The gushing post accompanied a series of photos that included a promotional poster for the film, Pugh sporting a shaved head, behind-the-scenes makeup and costume highlights, and a snapshot of Garfield smiling under an umbrella between takes.

Pugh's tribute comes after Garfield revealed earlier this month that he and Pugh were extremely committed to doing their characters justice on the big screen.

During the October 5 episode of the “Comfortable Unhappy Confused” podcast, hosted by jose horowitzGarfield revealed the pair didn't hear the 'cut' while filming a sex scene together.

“We do the first take of this passionate and very intimate sex scene,” he said during filming. “And it's a closed set, which means it's just Florence and I together in a room and the camera operator, who is our director of photography, a very lovely man called Stewart.”

Florence Pugh says we live in time The birth scene was exhausting but beautiful

Related: Florence Pugh considered the birth scene in 'We Live in Time' to be 'exhausting'

Florence Pugh got a taste of motherhood while filming her upcoming movie We Stay in Time. “I loved filming the birth scene,” Pugh, 28, said from the red carpet during the film's premiere at the Toronto International Film Competition on Friday, September 6, which was shared via StudioCanal's TikTok . “There was actually an incredible birth scene. […]

Garfield continued: “The scene becomes passionate and we choreograph it. And we go into it, so to speak, and we go a little further than we should just because we never heard “cut” and we felt safe and thought, “Okay, we'll move on to the next one.” one thing and the next, we will let this progress.”

He never let me go The actor then explained how he realized “telepathically” that filming should have stopped, telling Horowitz: “I look up and in the corner are Stewart and our increase operator. “Stewart has the camera next to him and he's against the wall.”

We live in time charts a decade-long love story between Tobias, played by Garfield, and Pugh's Almut. A car accident brings the couple together before a series of obstacles set them on a less-than-perfect path as they navigate parenthood and a medical diagnosis.

For his part, Garfield also acknowledged how special the film project was, telling reporters at the San Sebastian Film Competition in September: “I read [the script]He was in deep contemplation of the meaning of life. I was thinking about life, death, love, meaning, time. …being at the age of 39 and 40, in a kind of mid-life crisis, looking forward, looking back, looking exactly where I am and thinking: 'What now?' This script came and it was like I wrote it from that place. These things must have something, something common in this story.”





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